55:64
QURANHIVE

مُدْهَامَّتَانِ

Mudhaammataani
“Dark green (in colour)”

A portrayal of two gardens whose greenness, from richness and abundant watering, deepens so fully that it edges toward black—drawing the eye again and again.

Meaning and imagery

Lushness tending to black

The description of the two gardens جَنَّتَانِ as مُدْهَامَّتَانِ conveys greenery so rich and fully watered that its deep green inclines toward black.

Vast green exposure

The phrasing presents an expanse of rich greenery—an encounter with fullness and density rather than sparse or light foliage.

It is the lushness itself that dominates the scene.

Linguistic lens

Strong form and intensification

مُدْهَامَّتَانِ carries a strong form implying a layer-upon-layer green: a green upon which more green keeps being added—ever richer, deeper, and more lush—pulling the gaze repeatedly.

Focus of description

What is highlighted is not long, tall, straight, shading branches, but the richness and density of the greenery itself.

Classical colour perception

Green near black

In classical Arabic sensibility, an intensely fertile green can appear close to black. A notable example is the region known as السَّوَاد (“As‑Sawaad”, “Black land”)—so named for the extraordinary greenness and fertility of the irrigated Mesopotamian plain, which looked almost black beside the surrounding desert.

السَّوَاد As‑Sawaad

Terms mentioned

مُدْهَامَّتَانِ

Dark, richly deepened green for the two gardens.

دَهْماء / مُدْهامَّة

A garden so green that it tends toward black due to richness and abundant watering.

جَنَّتَانِ

The two gardens described as مُدْهَامَّتَانِ.

Visual emphasis

Ever-deepening tone

A green that keeps intensifying—richer, deeper, more lush—visually pulling the beholder inward.

Moist, fertile abundance

The depth of colour signals richness and abundant watering—a saturated, living green rather than a pale or sparse hue.

Takeaway

مُدْهَامَّتَانِ centres the eye on dense, fertile, and fully watered greenery—so intensely green that it shades toward black—capturing the lush essence of the two gardens.

Ayah 64