Core image
The phrase presents water in a state of ongoing pouring and flowing, highlighting abundance, ease, and uninterrupted refreshment.
وَمَاءٍ مَّسْكُوبٍ
“And water (that is) poured”.
The phrase presents water in a state of ongoing pouring and flowing, highlighting abundance, ease, and uninterrupted refreshment.
مَسْكُوب comes from سَكَبَ: to pour. The meaning centers on movement, outflow, and water made readily available.
The ayah speaks against the desert reality of the Arabs: scarce rivers, difficult access, and water reached by bucket and rope—then presents the opposite in Jannah.
The word مَسْكُوب is tied directly to the verb سَكَبَ, meaning “to pour.” This root unfolds through concrete examples of liquid moving outward and downward.
“He poured the water.” The root’s central image is simple and vivid: water being poured out.
“The eye poured out tears.” The same sense of outflow extends even to tears being shed.
Water that flows on the earth without digging. These forms point to naturally available, flowing water.
The upper slope of land from which water flows down to irrigate the lower parts of the terrain. The image is one of descent and spread.
The small wooden cork placed in the mouth of an oil-jar, water skin, or vessel to stop leakage. Its relevance lies in regulating the flow and pour of liquid.
وَمَاءٍ مَّسْكُوبٍ means water that flows continuously without being cut off. Its root is pouring: water poured forth, flowing day and night, without dug channels, never cut off from them.
The description is not momentary. It points to water that keeps running.
It is not cut off.
The water is not dependent on carved pathways to reach it.
The imagery is grounded in the lived reality of the Arabs: a people of desert lands and hot regions where rivers were scarce.
The setting is one of limited rivers and a harsh, hot environment.
Water access involved labor and means—specifically a bucket and rope.
Because they knew scarcity and difficult access, they were promised the opposite of that in Jannah: water poured forth, flowing continuously, and never cut off.
The force of the image lies in contrast: not effortful drawing, but ready flow; not scarcity, but abundance; not interruption, but continuity.
The contrast is between bucket-and-rope access and effortless availability.
The water is uncut and continuously flowing day and night.