56:18
QURANHIVE

With cups, jugs, and a filled cup from a flowing source

This ayah presents a carefully layered image: vessels of service, a cup already filled, and a drink drawn from a flowing, abundant source. The wording builds elegance, abundance, immediacy, and an element of mystery.

Lexical precision Singular vs plural Undefined form Flowing abundance Jannah scene

Vocabulary and vessel imagery

Term 01

أَكْوَابٍ — Cups

Akwaab is the plural of كُوب. It refers to a large round-mouthed cup without handles or spouts, with a slender neck and a large head.

The image is of serving vessels prepared in multiples.
Term 02

أَبَارِيقَ — Jugs

Abaareeq is the plural of إِبْرِيق, a jug with a handle and spout used for holding and pouring wine into cups.

Some linked it to بَرَقَ “to shine,” but إِبْرِيق is commonly understood as an originally Persian word given Arabic form, without linguistic connection to that root.
Term 03

كَأْسٍ — A filled cup

Ka’s refers to a cup already filled with drink, more specifically wine. The meaning here is not merely a vessel, but a vessel ready for immediate drinking.

Its wording contributes to the sense of readiness, nearness, and enjoyment.

Why two plurals, then one singular?

It is notable that أَكْوَابٍ “cups” and أَبَارِيقَ “jugs” come in the plural, while كَأْسٍ appears in the singular.

The cup is mentioned in the singular because it is not called a كَأْس unless it is filled.

  • The singular suits the act of drinking from one filled cup at a time.
  • The plurals suit abundance: many cups and many jugs are prepared and carried.
  • The sequence moves from surrounding provision to immediate personal enjoyment.

The rhetorical effect of the undefined form

Observation

All three terms are indefinite

The words for cups, jugs, and the filled cup all appear in the nakirah form, not prefixed with ال. This can imply “some kind of” cups, jugs, and filled cup.

Effect

Mystery is intentionally preserved

The indefinite form introduces wonder and openness. The vessels are not reduced to familiar worldly categories; their exact nature remains partly veiled, deepening the sense of unseen beauty.

مَعِين — flowing, spring-like, abundant

Primary explanation

A flowing source

المَعِين refers to that which is flowing. The intended meaning is wine that, due to abundance, flows through channels as water flows. It is not scarce or difficult to obtain as it is in this world.

Flowing like water The image is of channels and springs, not rarity or effort.
Ready for serving The vessels receive a drink already available and abundant.
Clarification

Not water here

مَعِين here does not refer to water, because كَأْس is not among the vessels used with water. For water, the relevant vessels are known as الأَقْدَاح.

This also appears in Surah As-Saffat, where مَعِين appears in conjunction with wine: a cup from a flowing spring, white and delicious to the drinkers, without harmful consequence.

Two interpretive pathways for مَعِين

Pathway 1

From عَيْن — a spring

This reading supports the understanding of something spring-like and flowing, with the sense of movement and source built into the word.

Pathway 2

From مَعَنَ in the فَعِيل pattern

This yields the meaning of abundance: a supply that does not run out, a drink that remains available without depletion.

Implication

Possibly self-renewing fullness

The image includes a cup that never runs out and keeps refilling itself, which also offers another possible reason for the singular mention of كَأْس.

The scene this ayah paints

Luxurious repose and service

The inhabitants of Jannah are pictured reclining upon luxurious seating, facing one another, while being served with cups, jugs, and a filled cup from a flowing stream of wine.

No deprivation after sacrifice

They deprived themselves of many things during worldly life for the sake of Allah. Here, deprivation is replaced by fulfilled desire and unwithheld provision.

Consolidated insights from the wording

Textual architecture

From vessels of abundance to personal immediacy

The progression from plural cups and jugs to a singular filled cup narrows the frame: from plentiful prepared service to the intimate act of drinking.

Atmosphere

Abundance without effort

The drink is not manufactured through worldly stages of harvesting, pressing, or fermenting. It is already available, flowing naturally, and never scarce.

Rhetorical beauty

Indefiniteness intensifies wonder

By leaving the vessels and source undefined, the verse preserves awe. The listener knows enough to imagine delight, but not enough to contain it within worldly familiarity.

Conceptual summary

Service, readiness, flow, and fulfillment

The ayah’s wording gathers four ideas into one compact image: prepared vessels, immediate availability, a flowing source, and the end of deprivation.

Ayah 18